The Museum


How much of history do we remember? As a philosopher once said, “Those who cannot remember the past are condemned to repeat it”. But we keep forgetting and thereby keep repeating the same mistakes. Our collective history is littered with examples of the vilest of deeds that have repeated themselves through the ages. From Germany to Gujarat and from Rwanda to Cambodia millions have been murdered and massacred just because they were the ‘other’. A group of ‘others’ who could conveniently be blamed for whatever imaginary wrongs those in power could propagate about them. And people would believe them for it is easier to blame someone else rather than confront a problem.


Therefore, it is important to create symbols and to build special places where memories of the past are kept alive and remembered. For it is necessary to remember even if memories seem futile. For in remembering we make a promise even if we do not always keep it. A promise to do whatever it takes to prevent what we are seeing of the past from repeating itself in the present or in the future.


One such place is the Jewish Museum in Berlin. Among the museums I’ve seen it alone makes brilliant use of light and space to evoke a feeling of great loss and sadness. Each facet of the architecture and arrangement is meant to mean something and that meaning is conveyed using the simplest of means: stark unadorned walls, huge empty rooms, select photos and belongings, uneven ground, all meant to reproduce at least in part the unbelievable horrors experienced by the victims of the holocaust.




Humans are by their very nature afraid of the other. Evolution has given us instincts that make us fear people different from us. So we build invisible walls, draw arbitrary lines that separate us into homogeneous groups based on color, caste, race and creed. We fence ourselves inside these artificial barriers. When placed outside our comfort zones we instantly gravitate towards the familiar, someone who speaks the same language or is from the same country or city. This is because there is safety in numbers, there is safety in the familiar. This must have helped us in our evolutionary struggles when the world was a fearful place where dangerous predators and unforgiving nature picked off the weaker ones or sometimes even the ones who did not conform.

But what if evolution sprang a surprise on us by throwing an unexpected curve ball? What if the next stage of evolution makes us look obsolete? What if, say through genetic engineering or purely evolutionary means, a new breed of humanity is born, equipped with powers we can only dream of or perhaps read only in comic books? How would we deal with that reality? Would we learn to exist in the midst of such ‘different’ people or would we give in to our instincts and try to destroy the emerging threat? Would it be our turn to become extinct?

It is in such a world Heroes is set in. A world where anything is possible. A world where being special takes on an entirely different meaning. A world on the cusp of immense change.

(To know more about the series go here).

World Cinema Wonderland 2

Here is another round of word cinema goodness:

12 Monkeys

12 Monkeys: Terry Gilliam has always been very good when it comes to dealing with dystopian futures (Brazil anyone?). And this film is another prime example. A mind bending exercise in alternate pasts and grim reality. This is what happens when a present collides with a meddlesome future. Brad Pitt needs to be singled out for his delightful but edgy performance.

2001: A Space Odyssey : A stoner paradise for many but behind that spacey, chilled out vibe is the quietly effective brilliance of Kubrick. From the scientifically accurate special effects, minimalist set design and vague dialog to the brilliant marriage of music and motion Kubrick shows why he is one of the best directors of all time. This is how science fiction should be. And that sequence of docking spaceships set to Strauss’s Blue Danube? So delicate, so graceful and oh so beautiful. Go watch it please.

21 Grams: Stark, hard hitting and sad. Inarritu’s use of non linear narrative continues with this film from where he left off in Amores Perros. Naomi Watts is the pick of a talented ensemble cast.

Almost Famous

Almost Famous: An ode to all that was good about rock music before it got lost in self-indulgence and soulless stadium rock. This film is about the fallibility of rock musicians seen through the eyes of a wide eyed rock fan. Based on Crowe’s own experiences as a writer for Rolling Stone and touring with rock bands. Essential viewing for anyone with a passing interest in rock music.

American Psycho: Less disturbing than the book but still quite effective as a window into the vacuous greed of the yuppie culture in the late 80s and early 90s. Christian Bale gets into the skin of the character and behind his glassy persona you glimpse the other side of the American dream and it is scary for the depth of its emptiness.

Battle Royale

Battle Royale: Fukasaku offers this inventive but violent vision of the future. What if troublesome and rebellious school kids were packed off to an island and given lethal weapons with license to kill? Would that solve society’s problems and the travails of parents? See the film to know the answer.

Battleship Potemkin: A masterpiece in every sense of the word. I’d see this film again and again just for that famous Odessa steps sequence. Makes it hard to believe that the film was made way back in 1925.


Zodiac: Fincher’s return to form. A dark and edgy thriller dealing with a true story about a serial killer who was never caught. Fincher’s films always have this distinctive look and this is no different. The muted, slightly desaturated cinematography is highly effective in creating a confined world where danger seems to lurk around the corner. Jake Gyllenhaal is surprisingly effective as the reporter who is not willing to give up.

Training Day: Mainly known as the film that finally netted Denzel Washington his best actor Oscar. But beyond that the film is a disturbing exploration of the corruption that power unleashes. Apart from Washington’s bravura (but slightly over the top) performance watch out for Ethan Hawke’s sensitive portrayal of a rookie cop.