Third sex gets official status in Tamil Nadu

Continuing with the theme of alternative sexualities…today’s front page lead story in the Bombay edition of the Sunday Times of India is interesting, to say the least.

Transgendered people in Tamil Nadu can now mark their sex as T in official documents instead of M and F. This is a real step forward in recognising the fact that there are people who define themselves outside the sexual binaries of ‘male’ and ‘female’.

Follow this link for the story, though I am afraid the full story is in the print edition.
Now, how long will it take for the next barrier to be breached? I am talking about article 377 of the Indian Penal Code which criminalises homosexuality. When will this relic from the raj era be struck down?

A Month in an ‘Alternative’ World

When I entered the living room, Krishnendu was in his usual place, sitting on the sofa with his face glued to his laptop and a cigarette clutched tight between his fingers. The circular turtle-backed ashtray on the coffee table in front of him was full of burnt out stubs. I mumbled a half-hearted hello. Krishnendu didn’t respond. He never did, at least not in the usual ways. He was glued to the screen, with a manic expression on his face. He was chatting online, one of his passions, and occasionally a hint of a smile would cross his face.

I had grown used to Khrishnendu’s moody ways over the course of the month that I stayed with them. Actually, he was my friend’s flat-mate. I was new to the city and was staying with them till I got my own accommodation. Krishnendu and Anand (my friend) worked in an NGO that worked among HIV affected groups. It was a community outreach NGO: by the community, of the community and for the community of lesbians, gays, bisexuals and transgendered people or LGBT. One of the stipulations of the NGO was that HIV positive people would constitute a certain percentage of its employees. Another was that it employed only gays.

The flat was a ten minute walk from their workplace and Anand had assured me that I could stay with them till I found my feet. It was a large, spacious house with two bedrooms, one for Krish and one for Anand. A young Nepali cook prepared the meals and flirted with the kirana girl downstairs when he went out on the pretext of grocery shopping every evening.

It was a good life and I slowly discovered the world of my flat mates. I used to be out on work all day and return late in the night exhausted, only to find my two mates along with office colleagues and assorted friends gathered around the mahogany coffee table in the living room. Anand would be in a ‘compromising’ position with ‘Indu’ (Indus actually) swigging cans of beer and making risque comments. “Arre, andar aati kya kothi,” he would hoot to cheers. “Abhi nahi re panthi, baad mein chalti hoon main,” they would reply (Kothi and panthi are terms used among MSMs to refer to the active and passive partners during sexual intercourse. The term kothi is an amalgamation of two words according to urban legend: kothi [Telugu for monkey] and kut [Persian for ass]. The first denotes friskiness or playfulness). Krish would be blowing out immaculate smoke rings clad in a white towel. The moment I entered all the men would wolf whistle and pass faux comments. Often Krish winked at me and indicated the bedroom. Sometimes they openly hinted that I should have sex with one of them. A deadpan expression or a lame joke was the only way out. But to be honest, I secretly enjoyed watching them interact, not least because their ‘world’ was a completely new experience for me, one that I hadn’t even imagined existed, let alone experienced.

It was uncomfortable being around Krish. He was not the most expressive person at the best of times. Silent, brooding, intense. Everyone walked on tiptoes around him. I knew that Krish valued his privacy and resented sharing his space with strangers. And though I shared a flat with him, I did not know anything about him apart from the bare bones: He was gay, he worked with MSMs (men who have sex with men) and he had AIDS.

Krish had contracted HIV seven years ago from one of his partners and it had developed into fullblown AIDS. The prevalence of AIDS is high among MSMs (almost three times the rate among lesbians). Though there is no known cure for AIDS yet, with proper care a patient can live for upto 10 years. Krish could have, if he took proper care of himself. He didn’t. He abused his body like there was no tomorrow. Apart from his chain smoking and binge drinking he never wore a shirt inside the flat, increasing his chances of contracting a chest infection. He never had his meals on time and when he did he nibbled at his food. He was oblivious to everyone’s pleadings that he look after himself.

Thoughts on the Gleevec Controversy

We have borne in mind the object which the Amending Act wanted to achieve, namely…to provide easy access to the citizens of this country to live saving drugs and to discharge their constitutional obligation of providing good health care to its citizens.

With these words a Division Bench of the Madras High Court dismissed the petitions filed by multinational drug company Novartis against a key provision of the Indian Patents Act, 1970. The provision in question, called section 3(d) seeks to promote public access to affordable drugs by restricting the granting of frivolous patents on medicines.

Before I dive into the fascinating story of the politics behind public health let me briefly give a backgrounder to the ‘Gleevec issue’.

Gleevec is a drug used to treat a form of cancer called chronic myeloid leukemia. The drug was invented by the Swiss multinational drug company Novartis which has a patent for it. However, the Indian Patents Act of 1970 has provisions that grant ‘process patents’ and not ‘product patents’ (I shall explain the legalese later in this text). What this basically means is that companies could only obtain a patent for the process of manufacture and not on the final product itself. This enabled Indian pharmaceutical companies to reverse engineer the final products and discover new processes to manufacture them, thus giving rise to the generic industry. What this meant in practical terms is that India – thanks to domestic pharma companies that made generic versions of many of the multinational companies’ drugs – went from a net importer of drugs to a net exporter. By the same token, drugs which were overall expensive post-independence became cheap by the 1980s. In fact, global NGO’s working in the field of public health procure affordable drugs from India to use them in Africa, Asia and Latin America.

However, as a member of the WTO and a co-signatory of the TRIPS agreement India had to bring her domestic laws in compliance with international laws. It is in this context that the Gleevec controversy has to be examined.

It is an indictment of our media and society that important issues are given short shrift in favour of fluff and floss. The gleevec issue barely got a passing mention in the mainstream media.

And now we dive headlong into the chemical sludge…

In May 2006 Novartis AG and its Indian subsidiary, Novartis India (henceforth Novartis) filed a bunch of writ petitions before the Madras High Court claiming that section 3(d) of the Indian Patents Act was contrary to the requirements of the TRIPS agreement and article 14 of the Indian constitution as it is vague and ambiguous. But what is section 3(d) about?

In a nutshell, 3(d) aims to prevent the practice called ‘evergreening’ by which drug companies seek to extend monopoly on their drugs by patenting minor variations of that chemical entity. Suppose a drug company has a patent on a chemical entity that is about to expire. What they will do is tweak the drug slightly and patent the new product(s). This guarantees that generics cannot be manufactured and that the patent is extended by another 20 years.

Section 3(d) was introduced into the 1970 Patents Act (the bedrock of Indian patents law and a progressive piece of legislation) via the Patents Amendment Act of 2005. This was done to meet India’s WTO obligations to grant product patents. Now, the 1970s Act granted only ‘process patents’ to agricultural and pharmaceutical products. Only the manufacturing process could be patented for 7 years and not the end product.

The Scarlette Saga

The case of Scarlette Keeling’s death in Goa is taking on epic proportions with accusations of cover-up and corruption leveled against the Goan police by Scarlette’s mother while the police seemingly shift from one position to another. First they said it was a case of death by drowning due to drug use in spite of the first autopsy detailing multiple signs of abuse on the girl’s body. After the second autopsy they changed the cause of death to rape and murder and then again flipped by falling back to their original position that it was actually death by drowning all along. Then they started claiming it was the fault of the girl’s mother to leave her alone in Goa while the former traveled elsewhere in India. And now, suddenly, the Goan police state that they have cracked the case with one of the prime suspects confessing to the rape and murder.

It is understandable why Fiona Mackeown, Scarlett’s mother, has no trust in the Goan police and wants a CBI probe. She alleges that the Goan police are in a criminal nexus with drug dealers and since the latter according to many reports are involved in the death of Scarlette she further claims that the police want to cover up the murder to protect the drug dealers. Another theory doing the rounds is that the Goan police wanted to hush up the murder as they did not want to damage Goa’s reputation as a prime tourist destination especially among Britons who comprise 60% of the foreigners visiting Goa.

Whichever way the case may finally turn what is undeniable is that it has completely tarnished the image of Goa and its police. In their bungled attempts to hush up the murder the Goan police have created a sordid news story that is going around the world. End result: Goa’s reputation as a ‘safe’ tourist paradise is under threat. Going wider it also threatens to silence the buzz generated by the ‘Incredible India’ tourist campaign. It is only recently that tourism in India has been growing at a strong pace increasing employment and injecting much needed money into the local economies. This case will only add to India’s unfortunate reputation that the rule of law exists only in name in India leading to tourists feeing unsafe and unprotected. One potential method to correct this would be for the Indian government to develop a special section among the police (that is accountable and transparent) to deal with crimes committed against tourists.

Unless the Goan police and the state government act quickly and take steps to restore confidence by punishing those police personnel involved in the cover up (the suspension of the one of the inspectors involved in the alleged cover up is a good first step) and pursue the criminals involved it is safe to speculate that tourist arrivals into Goa will take a hit. And underneath all the allegations and cover ups let us not forget the tragedy of a 15 year old girl who got involved with drugs and was killed while on holiday. While Fiona Mackeown might indeed have been irresponsible to leave her young daughter in the care of a tourist guide the least the Goan police can now do is to ensure that swift justice is delivered to her and her grieving family.

Seminal Rock Albums

It is oft repeated but really rock music is well and truly dead these days. It can be argued that most of the truly great rock music was made between the 1950s and 70s. I’ve always wondered how it would have been to have lived through the 60s when there was a palpable excitement in the music that was being made. It was perhaps the feeling of hope. Perhaps it was the knowledge that this was something new and great. Or perhaps it was the feeling of living in a time where you felt you could truly change the world with a guitar slung over your shoulder. It was all of that and more but what is indubitable is that it was the golden age of rock music with so many bands making such glorious music. I doubt if I’ll ever get to see such a thing happen in my lifetime.

The other day I was wondering about how indifferent I had become about contemporary music. Mainstream hip hop with its talk of money, bling and women makes me want to rip out someone’s heart while the mindless pap that is churned out in the name of pop bores me to tears. Alternative rock has mostly lost its soul while indie rock spends too much time navel gazing. Of course, I’m not a loyal follower of the current music scene. In fact, I’m usually at least five years behind the current music scene so I might be missing a lot of great music. But the few times I’ve listened to music on the radio or on the net has only reinforced my opinion.

That is not to say that great music isn’t being made anymore. There are still artists/bands out there that are still carrying on often against the odds to make the music they believe in. But somehow that fire and excitement is not there in my opinion that was there in rock music’s heyday. Now it is all about sleek studio over-production and marketing to the right demographic.

Maybe I’ve become too old and cranky but there was a time during my undergraduate years when music meant so much. It was part of your soul and the songs literally formed the soundtrack of your life. There was a thrill, a thrill which was equal parts envy and enthusiasm, in watching someone play the song you would give your left hand to play but would never be able to even if you could do that. And every time you attended a rock concert, even with a bad band playing, you earned to be on stage singing those lines and playing those searing solos. Not because you could look cool and attract women (well maybe for that too) but because there was something cathartic about singing your heart out in front of thousands of strangers. It was a perfect medium to let out all that you were feeling into the open through song. It is a pity that that unique pleasure of discovering great music and sharing it with your friends seems to have been lost, perhaps forever.

During that time (and later) I discovered some truly great rock music. Music that has stood the test of time and manages to speak to you with clarity and passion even after so many years. And so even if I have never lived during the golden age of rock here is a list of rock albums that have had a palpable influence and at one point or the other transformed themselves into religious texts for me. Not all of these albums are from the 60s or 70s, there are some from recent times too, but all of them have a touch of greatness in them. These are albums that you should listen to at least once in your lifetime.

Dark Side

[audio:PF_Eclipse.mp3]

Pink Floyd – Eclipse

Pink Floyd-The Dark Side of the Moon: I’ve this inexplicable, almost mystical connection with the music and songs of Pink Floyd. I actually did not like them when I first heard them. I still remember vividly when I first ‘got’ their music. I was sitting under the shed in Nizam’s one afternoon alone and listening to the live version of ‘Wish You Were Here’ from their otherwise bland ‘Delicate Sound of Thunder’ album on a walkman. And there was this moment which I’ll never forget when something clicked and a whole new world opened in front of me. It was magical. After that there was no turning back.

They have made such great music backed by some of the greatest lyrics ever written that it is hard to select the best. In fact, I’m tempted to include at least half their discography in this list!

It took me an insanely long time to really like Dark Side. Even now I don’t think it is my favorite Floyd album but this is the record where everything came together in the correct amount for the band. Water’s profound lyrics, Gilmour’s beautiful guitar playing, Wright’s melodic keyboards and Mason’s tight drumming. Add to this an almost flawless and intricate production and you have one of the greatest rock albums ever made. With its themes of madness, depression, loneliness and greed it is definitely not an easy album to listen to. In fact, it is rather depressing when you really listen to the songs. But that still should not deter you from enjoying ‘The Great Gig In The Sky’s yearning melody or ‘Us and Them’s soulful theme of separation or the epic finality of ‘Eclipse’. However, for me the greatest thing about the album (apart from the iconic cover art) is the lyrics of ‘Time’. Here are the lyrics from the last half of the song:

So you run and you run to catch up with the sun but it’s sinking
Racing around to come up behind you again.
The sun is the same in a relative way but you’re older,
Shorter of breath and one day closer to death.

Every year is getting shorter never seem to find the time.
Plans that either come to naught or half a page of scribbled lines
Hanging on in quiet desperation is the English way
The time is gone, the song is over,
Thought I’d something more to say.

It is breathtakingly sad but beautiful poetry. Please, go get the album.

Astral Weeks

[audio:VM_Astral.mp3]

Van Morrison – Astral Weeks

Van Morrison-Astral Weeks: Someone once said that Van Morrison could sing the phone book and make it sound good. And that is quite true. This album is a testament to that. It is hard to explain the almost mystical quality this album has. Perhaps it comes from Morrison’s Irish Catholic background and Celtic influence. Whatever the reasons it is one of the strangest rock albums. The jazz inflected music perfectly complements the often incomprehensible lyrics.

If I ventured in the slipstream
Between the viaducts of your dream
Where immobile steel rims crack
And the ditch in the back roads stop
Could you find me?
Would you kiss-a my eyes?
To lay me down
In silence easy
To be born again
To be born again

But it is all brought to life by Morrison’s singing. There is a certain pain and yearning in his voice. It is not the pain of anger; it is the pain of loss. You cannot help but get affected by his singing; by the way he brings the dense lyrics to life. It is a 47 minute trip into a different land. A journey you will want to repeat every time the smile around your lips begins to fade under the weight of circumstances.

Ok Computer

[audio:Radio_Climbing.mp3]

Radiohead – Climbing Up The Walls

Radiohead-Ok Computer: In many ways I prefer their earlier The Bends album for its simple, more mainstream melodic music that is instantly accessible. But the sheer scope and depth of this album has to be appreciated. It is perhaps the best rock album out of the 90s, Nirvana, Pearl Jam and R.E.M. notwithstanding. Dense production and the droning drawl of Thom Yorke are the signature elements of this record. The guitars swirl in layers, the electronic drums are sonorous, the bass throbs with a certain quiet intensity and all of this is tied together by the almost incomprehensible singing of Yorke. The album is quintessentially post-modern in feel with its vague but cool art work and themes of pre-millennial alienation and the coldness caused by technology. There are no instantly hummable tunes here or catchy choruses. The songs have a certain moodiness to them. The moodiness of modern melancholia. But there is melody beneath all that fuzzy distortion and the album grows on you. It is truly an album in which you will discover something new every time you listen to it.

The Beatles

[audio:Beatles_Guitar.mp3]

The Beatles – While My Guitar Gently Weeps

The Beatles a.k.a The White Album: The Beatles made many great albums with their Sgt. Peppers album often touted to be the best rock album ever made. But I like this sprawling and uneven masterpiece the most. This is also the album where the cracks first began to show between the band members with most recording sessions often done individually in separate recording studios. And in that regard this is not the work of a band but more the work of the individuals. It was the beginning of the end for the band. But even with all the friction between them what glorious music they made. Abbey Road might be their swan song but this is the album which truly gave them time and space to experiment individually and also move towards a new clean sound. Most of this album was actually written in India where The Beatles had gone to study transcendental meditation under Maharishi Mahesh Yogi at Rishikesh. That influence clearly shows in the simple but strong song writing even if the band were ultimately disillusioned by their experience at the ashram.